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Letter from Maud Karpeles to William Kimber 29-1-38: Letter from [Maud Karpeles] to William Kimber (29 Jan 1938) re assurance that Kimber's insistance on the correctness of [Cecil Sharp's notation of] the Headington tunes and dances will be noted and kept for future reference.
Letter from Maud Karpeles to William Kimber 3-6-39: Letter from [Maud Karpeles] to William Kimber (3 Jun 1939) re Karpeles' work preserving Cecil Sharp's legacy and thanks for Kimber's loyalty to Sharp.
Letter from William Kimber to Maud Karpeles 14-6-29: Letter from William Kimber to Maud Karpeles (14 Jun 1929) re acceptance of invitation to attend [the laying of the foundation stone at Cecil Sharp House] and Kimber's work as a bricklayer.
Morris Tune: A Morris tune, whistled to Cecil Sharp by William Kimber
Letter from Maud Karpeles to William Kimber 22-1-38: Letter from [Maud Karpeles] to William Kimber (22 Jan 1938) re enjoyment of seeing Kimber recently and suggestion that Kimber write down his memories of Cecil Sharp's collecting.
Letter from Maud Karpeles to Tony Wales: Letter from [Maud Karpeles] to Tony Wales (1 Nov 1974) re Wales' retirement from EFDSS, his continued editorship of 'English Dance and Song' and the submission by Karpeles of a letter to the editor to be published in 'English Dance and Song'. Includes...
Index of the Cecil Sharp Manuscript Collection: Index of the Cecil Sharp manuscript collection at Clare College, Cambridge.
Letter from Maud Karpeles to Frank Howes: Letter from [Maud Karpeles] to Frank Howes (3 Jun 1939) re disagreement with EFDSS policy with reference to Cecil Sharp copyright, EFDSS membership and social aspect of country dancing.
Letter from Maud Karpeles to Rolf Gardiner: Letter from [Maud Karpeles] to Henry Rolf Gardiner (12 Dec 1962) re disagreements with Gardiner's address to the Cambridge Morris Men relating to Cecil Sharp's opinion of women and Morris dancing, declining standard of songs and dances with reference...
Letter from William Kimber to Maud Karpeles 27-1-38: Letter from William Kimber to Maud Karpeles (27 Jan 1938) re memories of meeting Cecil Sharp, Kimber's role as the sole source for Sharp's notation and insistance that Sharp's notation of the Headington tunes and dances is correct and is traditional.
Country Dance air: Country Dance air noted by Cecil Sharp
Extract from EFDSS minutes 7th July: Extract from EFDSS Minutes (7 Jul 1936) re Cecil Sharp copyright, potential impact of sale of Cecil Sharp copyright to EFDSS on folk dance movement, re-collecting and William Kimber's grievances.
Letter from William Kimber to Maud Karpeles 24-4-32: Letter from William Kimber to Maud Karpeles (24 Apr 1932) re hearing [Cecil Sharp's] tunes on the radio, the arrangement and attribution of songs and memories of playing and dancing for Cecil Sharp.
First meeting with Cecil Sharp: William Kimber Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956; a few days after Tape 54A/B.
Copy of short hand notes (Cecil Sharp): Copy of short hand notes taken at Headington Oct 24th 1910 by Miss Neal & Co.
Letter from William Kimber to Maud Karpeles 26-8-31: Letter from William Kimber to Maud Karpeles (26 Aug 1931) re the death of Kimber's parents, Kimber's father's contribution to Cecil Sharp's work and opinions of Mary Neal.
The first Morris Book: "The First Morris Book" Cecil Sharp
Shepherd's Hey: Shepherd's Hey
Rigs O' Marlow: Rigs O' Marlow
Quotations: Quotations
Old Mother Oxford: Old Mother Oxford
Notes about Morris, Maypole, Broom, Frog and Kibby Dances. Also the Wrastling Crib.: Notes about Morris, Maypole, Broom, Frog and Kibby Dances. Also the Wrastling Crib.
Rodney: Rodney
Newspaper Cutting: Here follows a newspaper cutting from Jackson's Oxford Journal, Saturday March 18th 1899.
Jockie To the Fair pt 2: Jockie To the Fair pt 2
Jockie To the Fair pt 1: Jockie To the Fair pt 1
Jockie To the Fair - Morris Jig: Jockie To the Fair - Morris Jig
Laudnum Bunches: Laudnum Bunches
Morris Off: Morris Off
Morris Reel No. 2: Morris Reel No. 2
Morris Reel No. 1: Morris Reel No. 1
Shepherd's Hey Morris Jig: Shepherd's Hey Morris Jig
The dance "Baccapipes" (tune) and friendship with William Kimber: Loveless describes the dance "Baccapipes" before going on to discuss his friendship with William Kimber
Local Songs I: William Kimber et al Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956 Present: William Kimber, Mabel Stace, Charlie Jones, Jim Phillips, Theo Chaundy, Hilda Chaundy (wife of TC), Christopher Chaundy, Jennifer Churchill (future wife of CC)
Beginnings in Esperance: William Kimber, Jim Phillips Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956; a few days after Tape 54A/B.
The Morris Books: William Kimber, Jim Phillips et al Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956; a few days after Tape 54A/B.
Past Times: William Kimber et al Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956Present: William Kimber, Mabel Stace, Charlie Jones, Jim Phillips, Theo Chaundy, Hilda Chaundy (wife of TC), Christopher Chaundy, Jennifer Churchill (future wife of CC)
Working with Sharp and getting the sack: William Kimber, Theo Chaundy, Hilda Chaundy Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956Present: William Kimber, Mabel Stace, Charlie Jones, Jim Phillips, Theo Chaundy, Hilda Chaundy (wife of TC), Christopher Chaundy,...
Collecting with Sharp: William Kimber, Hilda Chaundy, Theo Chaundy Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956Present: William Kimber, Mabel Stace, Charlie Jones, Jim Phillips, Theo Chaundy, Hilda Chaundy (wife of TC), Christopher Chaundy, Jennifer...
First meeting and Sharp and Neal: Christopher Chaundy, William Kimber, Theo Chaundy Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956Present: William Kimber, Mabel Stace, Charlie Jones, Jim Phillips, Theo Chaundy, Hilda Chaundy (wife of TC), Christopher Chaundy, Jennifer...
EFDS and teaching: William Kimber Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956; a few days after Tape 54A/B.
Mary Neal: William Kimber William Kimber at home, Merryville, St Ann’s Road, Headington, 16 June 1959, with Theo Chaundy, Christopher Chaundy
The Triumph (Step and Fetch Her): The Triumph (Step and Fetch Her)
The Old Woman Tossed up in a Blanket: The Old Woman Tossed up in a Blanket
The First of May: The First of May (Morris Dance)
The Willow Tree: The Willow Tree (Morris Dance)
Trunkles: Trunkles (Morris Dance)
Joining the EFDSS: Loveless discusses why he joined the EFDSS, and the experiences that lead to his involvement in traditional music as well as the history of the EFDSS
Hunting The Squirrel: Hunting The Squirrel
Statement Re Mr. Kimber and the Headington Morris: Statement Re Mr. Kimber and the Headington Morris
Double Set Back Morris Dance: Double Set Back Morris Dance
Letter from Douglas Kennedy to Maud Karpeles 25-7-38: Letter from [Douglas Kennedy] to Maud Karpeles (25 Jul 1938) disputing Kennedy's supposed suggestion that William Kimber's insistance on the accuracy of Cecil Sharp's notation of the Headington tunes and dances was influenced by Karpeles [see MK/5/86]...
Letter from Mary Neal to Clive Carey: Letter from Mary Neal to Clive Carey, 2 Oct 1910, re, Visit from a fiddler and Geoffrey Tote. Neal asks Carey to accompany her on visit to cousin Kimber to notate dance steps, which are to be relayed to Cecil Sharp.
Letter from Maud Karpeles to Douglas Kennedy 22-7-38: Letter from Maud Karpeles to 'Douglas' [Douglas Kennedy] (22 Jul 1938) re Karpeles' attendance at [EFDSS] staff conference and response to suggestion that William Kimber's insistance on the accuracy of Cecil Sharp's notation of the Headington tunes and...
The 29th of May: The 29th May [The twenty-ninth of May] / Bonny Green Garters Morris Dance
The Chaundy Collection: In 1956 Theo Chaundy (a mathematics don at Christ Church and a morris dancer with the Oxford University Morris Men) bought a tape recorder and invited William Kimber to his home to talk about morris dancing, along with his fellow dancers Jim Phillips...
Constant Billy: Constant Billy
Collections: Back to the Quarry brings together several important collections, in some cases making them available for the first time. As you browse through the collections you have the opportunity to comment on them and to add your own memories or thoughts. We're...
Letter from William Kimber to Maud Karpeles 22-11-28: Letter from William Kimber to Maud Karpeles (22 Nov 1928) re being unable to find the letters that Karpeles had asked for.
Letter from William Kimber to Maud Karpeles 30-10-33: Letter from William Kimber to Maud Karpeles (30 Oct 1933) re lack of contact from EFDS [EFDSS] following his visit to London on 6 Dec 1932 and concerns for the end of his Morris dancing career.
Sharp-Neal dispute: William Kimber William Kimber at home, Merryville, St Ann’s Road, Headington, 16 June 1959, with Theo Chaundy, Christopher Chaundy
Letter from Maud Karpeles to Douglas Kennedy 16-7-38: Letter from Maud Karpeles to Douglas Kennedy (16 Jul 1938) re Karpeles' membership of [EFDSS] teaching staff and Board of Examiners, [EFDSS] staff conference and enclosed documents relating to alterations to Headington dances and information from...
Last meeting with Sharp: William Kimber Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956; a few days after Tape 54A/B.
Sharp and Kimber's accuracy (1): William Kimber Recorded at Theo Chaundy's house, 62 Iffley Road, Oxford, 1956; a few days after Tape 54A/B.
The Full English records: The Full English is a digital resource bringing together many of the major folk music collections in the United Kingdom and beyond. This selection from it contains all the material in it relating to Kimber and Headington Quarry. It includes relevant...
William Kimber's concertina: Loveless discusses the concertina that was bequeathed to him by William Kimber, and how Kimber came to own it.
6 Handed Reel: 6 Hand Reel [six hand reel]
Bacca Pipes: Bacca Pipes
Getting Up Stairs: Getting Up Stairs (Morris Dance)
Further Notes on Headington Quarry Morris Dancers: Further Notes on Headington Quarry Morris Dancers
Green Sleeves / Bacca Pipes Jig: Green Sleeves / Bacca Pipes Jig
Haste to The Wedding: Haste to The Wedding (Morris Dance)
Horton Cum Studley, Oxon. Morris: Horton Cum Studley, Oxon. Morris
Headington Morris: Headington Morris
Extracts from William Kimber's Letters: Extracts from William Kimber's Letters
Double Lead Through: Double Lead Through
Blue Eyed Stranger: Blue Eyed Stranger
Bean Setting: Bean Setting
Bonny Green Garters (lyrics): Bonny Green Garters (Morris Dance)
Bonny Green Garters (notation): Bonny Green Garters (Morris Dance) - 2
Country Gardens: Country Gardens
Country Dance: Country Dance
How D'Ye Do? Morris Dance: How D'Ye Do? Morris Dance

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